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BEN WILLIAMS

BEN JALOSA WILLIAMS
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View fullsize  first show I ever worked on in NYC. fall 2003. I filled in for Roy Faudree and pretended to run sound, using a record player that wasn’t connected to anything.  http://thewoostergroup.org/poor-theater
View fullsize  first show in which I was officially cast and began designing sound, which I’d never done before. John Collins taught me everything I knew at the time. spring/summer 2004.  https://www.elevator.org/shows/gatz/
View fullsize  “premiered” at The Performing Garage, Jan 2005.  https://www.elevator.org/shows/gatz/
View fullsize  I ran sound for Chelsea and Yehuda on this at the old Flea.
View fullsize  winter 2006 at PS122. I played Steve Allen and William F. Buckley. I didn’t design any sound, but I did trigger some. also mangled playing the piano.  https://www.elevator.org/shows/no-great-society/
View fullsize  and again in spring 2007 at NYTW’s 4th St Theater.  https://www.elevator.org/shows/no-great-society/
View fullsize  The Sound and the Fury (April 7, 1928). at NYTW in 2008, then LA, Amsterdam, Vienna, Adelaide, and the Public. finally, just an actor. kind of.  https://www.elevator.org/shows/the-sound-and-the-fury-april-seventh-1928/
View fullsize  Crime or Emergency. by Sibyl Kempson. I ran sound at PS122 and Fusebox in Austin, 2009, then in Bonn in 2011.  photo by Justin Bernhardt.  https://53rdstatepress.org/Sibyl-Kempson-Crime-or-Emergency
View fullsize  guest crash appearance at The Steam-Powered Hour, by Matt Diffee. with Steve Martin, Tony Trischka, Noam Pikelny, Roz Chast, and many more. The Tank 2009.  http://www.matthewdiffee.com/
View fullsize  the Summer Institute at The Performing Garage. on and off: 2008-2016. sound design, technical direction, occasional performer.  https://theperforminggarage.org/summer-institute/
View fullsize  American Tresure, by Julia Jarcho, produced by 13P, winter 2009. I worked as technical director and production manager.  photo by Rob Strong  https://minortheater.org/productions/american-treasure/
View fullsize  So Much to Go Crazy (The Show Might Go On) (Sehr Langsam). by Sibyl Kempson. Austin Texas, the Off Center. 2010. I sang onstage.  http://austinlivetheatre.blogspot.com/2010/11/upcoming-so-much-to-go-crazy-by-sibyl.html
View fullsize  The Select (The Sun Also Rises). by ERS. 2009-17. Matt Tierney and I both designed the sound and acted. the circle closed in 2017 when I taught John Collins how to run Matt’s part.  photo by Mark Barton.  https://www.elevator.org/shows/the-select-th
View fullsize  Vision Disturbance. my first show with Christina Masciotti. dir by Rich Maxwell. I designed sound. started at Abrons in 2010, then I followed it to Boston, Bonn, and Milan.  photo by Ari Mintz.  http://www.christinamasciotti.com/vision-disturbance
View fullsize  When a Priest Marries a Witch. Suzanne Bocanegra w Paul Lazar. wore several hats here: sound design, production management, and technical direction, starting in 2011 at The Chocolate Factory, MFAHouston, James Cohan Gallery, Williams College, Abrons
View fullsize  Dreamless Land. Jarcho. Abrons Arts Center. 2011. my first acting gig w Julia.  photo by Rob Strong  https://minortheater.org/productions/dreamless-land/
View fullsize  Secret Death of Puppets (or) How Do Puppets Die? (or) Puppets Die in Secret. by Sibyl Kempson. first worked on this at Tonic in maybe 2004(?) doing voice-over w Jim Fletcher. then I designed sound for it at Dixon Place in 2011.  photo by Cathryn Lyn
View fullsize  Steve Cuiffo is Lenny Bruce. St Ann’s Warehouse 2011. sound design.  photo by Kevin Regan  https://www.newyorker.com/magazine/2011/01/24/lenny-again
View fullsize  Shuffle. ERS with the Office for Creative Research. at the NYPL, BPL, Bobst, and Prague Quadrennial 2011. again just an actor, kind of.  photo by Ben Rubin  https://www.elevator.org/shows/shuffle/
View fullsize  Ich, Kürbisgeist. by Sibyl Kempson and Big Dance Theater. 2012 at the Chocolate Factory, and 2013 at NYLA. I designed sound with Jamie McElhinney.  photo by Paula Court  https://www.bigdancetheater.org/shows/ich-kurbisgeist-2012/
View fullsize  Grimly Handsome. 2013 at the Ontological and again in 2015 at JACK.  photo by Alex Fabozzi  https://minortheater.org/productions/grimly-handsome/
View fullsize  Terror of the Soul. with Elevator Repair Service. Morgan Library 2013. sound design and reading.  http://www.thelmagazine.com/2013/11/the-horror-and-the-comedy-of-edgar-allan-poe/
View fullsize  Arguendo. by ERS. Seattle, Philly, Bushwick Starr, the Public, Woolly Mammoth, Wexner, REDCAT…. at one point in 2013 I performed this and Grimly Handsome in the same day. that was a great day.  https://www.elevator.org/shows/arguendo/
View fullsize  Adult. Abrons 2014. sound design.  photograph by Oren R. Cohen/Stephen Dobay  http://www.christinamasciotti.com/adult-show-info
View fullsize  Nomads. 2nd to last show ever at the Ontological. 2014.  photo by Yi Zhao  https://minortheater.org/productions/nomads/
View fullsize  A Sort of Joy (Thousands of Exhausted Things). by ERS and the Office for Creative Research. MoMA 2015  photo by Ben Rubin  https://ocr.nyc/public-space-interventions/2015/03/30/a-sort-of-joy/
View fullsize  A Beautiful Day in November on the Banks of the Greatest of the Great Lakes. by Kate Benson, dir Lee Sunday Evans. City Center 2015.  photo by Joan Marcus  https://www.nytimes.com/2015/01/17/theater/a-beautiful-day-in-november-opens-at-city-center.h
View fullsize  Social Security. by Christina Masciotti, at The Bushwick Starr. 2015. I designed sound and understudied for T.  photo by Maria Baranova  http://www.christinamasciotti.com/social-security-show-info
View fullsize  Fondly, Collete Richland. by Sibyl Kempson and ERS. first showing in 2011 at The Performing Garage, then the Walker in Minneapolis in 2013, and NYTW in 2015. I designed the sound, played the audience plant, Sailor Boy, and Krampus.  photo by Tina Fi
View fullsize  Empathy School. by Aaron Landsman, featuring Jim Findlay. Abrons 2016. sound design.  photo by Paula Court  https://www.timeout.com/newyork/theater/empathy-school-love-story
View fullsize  Love Story. by Aaron Landsman, featuring Frank Harts. Abrons 2016. sound design.  photo by Sara Krulwich  https://www.timeout.com/newyork/theater/empathy-school-love-story
View fullsize  My Saturnian Lover. by Tony Oursler. 2016  https://tonyoursler.com/tony-oursler-the-imponderable-archive-1
View fullsize  The Terrifying. first show as minor theater and my first sound design for Julia. 2017  photo by Sarah Krulwich  https://minortheater.org/productions/the-terrifying/
View fullsize  Raw Bacon From Poland. my first time directing and fourth time designing sound for Christina. Abrons 2017.  photo by Maria Baranova  https://www.christinamasciotti.com/raw-bacon-from-poland
View fullsize  Jack and the Beanstalk. The Panto Project by ONEOFUS w Julie Atlas Muz and Mat Fraser. Abrons 2017-18. sound design.  photo by Norman Blake  https://www.thepantoproject.com
View fullsize  Opium. by Spiegelworld at the Cosmopolitan in Vegas. 2018. sound design.  photo by Al Powers  https://spiegelworld.com/opium/
View fullsize  Mind on Heaven. created this show w my friend Brian Cagle, starting in 2014 and still evolving.  photo by Paula Court  https://www.mindonheaven.com
View fullsize  This is the Color Described by the Time. my first gig with Lily and Door 10. 2018 at the new Flea. I designed sound and played Thornton Wilder.  photo by Paula Court  http://www.door10.org/work#/this-is-the-color/
View fullsize  The Album Project: or Here There Are Blueberries. by Moisés Kaufman. Colony Theater Miami 2018. sound and video design.  https://www.colonymb.org/the-album
View fullsize  The Opera Is Always on the Table, by Hanna Novak. New Ohio 2018.  photo by Sung-Ah Jun
View fullsize  Everyone’s Fine With Virginia Woolf. by Kate Scelsa and ERS. Abrons 2018. my first time working w ERS only as a sound designer.  https://www.elevator.org/shows/everyones-fine-with-virginia-woolf/
View fullsize  Pathetic. minor theater. Abrons 2019. sound design and the role of Ted Goader.  photo by Elke Young  https://www.nytimes.com/2019/06/16/theater/review-in-pathetic-a-retelling-of-racine-love-hurts.html
View fullsize  Studio Créole. at the Manchester International Festival 2019. sound design.  https://mif.co.uk/whats-on/studio-creole/
View fullsize  Dr. Ride’s American Beach House  by Liza Birkenmeier  directed by Katherine Brook  photo by Kimie Nishikawa   https://arsnovanyc.com/Dr-Rides-American-Beach-House
View fullsize  Islander  written by Liza Birkenmeier  directed by Katie Brook  HERE September 2021  photo by Maria Baranova
View fullsize  Ulysses  Theater Basel  dir. John Collins  photo by Maurice Korbel
View fullsize  Ulysses. Bloomsday 2022, Symphony Space.   ERS  photo by Kevin Yatarola
View fullsize  Marie It’s Time  written by Julia Jarcho  dir: Ásta Hostetter  HERE Arts Center 2022
View fullsize  Baldwin and Buckley at Cambridge  by Elevator Repair Service  premiere: Philly Fringe Arts, September 2021.  tours: Wesleyan, Williams College, REDCAT, deSingel,   The Public Theater, NYC fall 2022  2023 Festival d’Avignon  photo by Joan Marcus
View fullsize  THE WHITNEY ALBUM by Jillian Walker, directed by Jenny Koons.  Soho Rep   Apr-May 2023  photo by Lanna Apisukh
View fullsize  Ulysses  at Bard, 2023 (for 2 previews… then shut down because covid)
View fullsize  Our Class  BAM Fisher, Jan-Feb 2024  dir Igor Golyak  photo by Pavel Antonov

 

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